It’s standard practice among film historians to set up an opposition between the musicals of Busby Berkeley and Fred Astaire & Ginger Rogers. Until recently the preference was for the more intimate and individually graceful style of Astaire and Rogers. Their art was more personal than the monumental spectacles of Berkeley, and — so theContinue reading “Footlight Parade (1933)”
Monthly Archives: January 2020
Syncopation (1942)
William Dieterle’s Syncopation is a comic bio-pic about the evolution of New Orleans jazz. Basically a love letter to the New Orleans origins of jazz, and some say based on the Bix Beiderbecke-Bunny Berrigan-Louis Armstrong friendship, it’s a sincere white lefty plea to take jazz seriously as not only an African-American art, but as theContinue reading “Syncopation (1942)”
Remember the Night (1940)
Remember the Night should have been a great comedy. It was written by Preston Sturges and directed by Mitchell Leisen. Three years earlier they had collaborated on Easy Living, one of the classics of the period. But this one is a mess. There’s hardly a trace of Sturges’s sophisticated wit and cynicism, and Leisen’s directingContinue reading “Remember the Night (1940)”
Ball of Fire (1941)
For some reason Ball of Fire doesn’t figure in the Grand Canon of classic Hollywood sound comedies. Film historians who write endlessly about its director, Howard Hawks, and its screenplay writers, Billy Wilder and Charles Brackett, rarely mention the film, except maybe in footnotes. Apparently it isn’t dazzling enough when compared with Hawks’s ground-breaking motormouthContinue reading “Ball of Fire (1941)”
Broadway Gondolier (1935)
I’m very fond of Broadway Gondolier. It’s probably more responsible for my getting into this blogging project than any other film. I recorded it from TCM one night many years ago for later watching. When I got around to seeing it, I was thoroughly charmed. I’d never heard of it before — but that’s noContinue reading “Broadway Gondolier (1935)”
Happy Landing (1938)
Happy Landing was the third film Sonja Henie made for 20th Century Fox. She was a monster star in her day, the first female professional skater to become an international sensation. 20th Century Fox was a maverick studio in the 1930s that tended to make low-budget musical comedies that featured some unusual, and unusually good,Continue reading “Happy Landing (1938)”
Café Metropole (1937)
Café Metropole is one of the odd, original movies you often encounter in this zone. It doesn’t seem to be very well known. There’s almost no historical or critical writing on it. There are some warm, affectionate comments about it on IMDB — they’re fun to read after you’ve seen the film. But I feelContinue reading “Café Metropole (1937)”