Gold Diggers of 1933 — directed by Mervyn LeRoy and spectacularized by Busby Berkeley — has been more thoroughly watched, interpreted, contextualized, explained, poked, prodded, and dissected over the years than any other comedy of the era. It has been glossed in terms the male gaze, the commodification of women, the reduction of female bodiesContinue reading “Gold Diggers of 1933 (1933)”
Category Archives: The Grand Canon
42nd Street (1933)
42nd Street was the first of the four monumental musicals associated with Busby Berkeley in the miracle years of 1933 and 1934. (The others were Gold Diggers of 1933, Footlight Parade, and Dames.) For a long time they were lumped together, as if they were parts of single artifact, the revolutionary Busby Berkeley spectacle-film. ContemporaryContinue reading “42nd Street (1933)”
Libeled Lady (1936)
Libeled Lady hits the sweetest spot of Hollywood comedies of the interwar era. It’s a transcendent example of the genre, a fusion of literate script, sharp-witted dialogue, brilliant acting, pacing, mise-en-scène, and all the screwball virtues: quick-reacting women, overconfident men with absurd plans, rapid-fire repartee and pratfalls, newsroom machismo and high-society suavité. It’s miraculous, actually,Continue reading “Libeled Lady (1936)”
Midnight (1939)
Midnight is one of a couple dozen films of the period that I have a hard time writing about. It’s in the top tier of my personal canon and one of the reasons I began this blogging project. It’s almost perfect in my eyes, synthesizing everything that was good about Hollywood comedies of the interwarContinue reading “Midnight (1939)”
Trouble in Paradise (1932)
Ernst Lubitsch’s Trouble in Paradise is one of the films on Classic Hollywood’s Mount Rushmore. It’s the most concentrated example of Lubitsch’s famous style, so distilled that it’s almost abstract. Lubitsch himself considered it his greatest stylistic achievement. But there’s trouble in paradise in more ways than one. For me, this dazzling artifact lacks bothContinue reading “Trouble in Paradise (1932)”
The Thin Man (1934)
The Thin Man is one of the most influential films that Hollywood ever produced. It’s included in the American Film Institute’s list of 100 funniest films (in a list made in 2000 the film comes in at #32); IMDB users have given it a stratospheric score of 8 of 10 (only three films have scoredContinue reading “The Thin Man (1934)”
Bringing Up Baby (1938)
At this moment, I consider Howard Hawks’s Bringing Up Baby the greatest comedy Hollywood ever produced. I may change my mind. I haven’t always been that fond of it. Each time I watched it in the past (there have been many) I saw something iffy, and it was always something different — chunky pacing, stuffyContinue reading “Bringing Up Baby (1938)”
My Man Godfrey (1936)
Gregory La Cava’s My Man Godfrey has a beautiful reputation. It’s viewed as La Cava’s signature film, with legendary performances by Carole Lombard and William Powell. Many of its fans consider it among the best screwball/romantic comedies ever made. It was surely the most highly regarded comedy of its time in Hollywood itself — itContinue reading “My Man Godfrey (1936)”
Easy Living (1937)
Easy Living figures in everyone’s canon of classic Hollywood comedies. With a screenplay by Preston Sturges, a luminous performance by Jean Arthur, and one of the looniest farcical premises in the whole genre (not the looniest — that would be Christmas in July), it seems to stand alone. The brilliant script includes some of theContinue reading “Easy Living (1937)”
Bombshell (1933)
If you’ve never seen Jean Harlow’s Bombshell before, you have to prepare yourself. It’s generally considered one of the great comedies of the 1930s, a surefire member of the Great Comic Canon. But it’s one of the oddest films in there. Imagine screwball marrying a nervous breakdown and having a meta-baby. It’s very funny, butContinue reading “Bombshell (1933)”